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Notes from a Reporter's Casebook A look back at our reporter's notes and survey findings, published earlier as "What Colour is the News?", confirms the need for media changes. Increased diversity in the media workforce and a fair deal for the black public must be the measure of the media's goodwill efforts. The reasons why are detailed under three crucial points:
1. Professionals question lack of minorities in the media. Join the discussion by sending an e-mail to: editor@thechronicle.demon.co.uk
1. Professionals question lack of minorities in the media Look out over the office, and see for yourself "Newspaper editors do not need surveys to tell them that ethnic minorities are under-represented: they can look out across the office every morning and see it in the faces of their staff...."(Rhys Williams, Race in the Media, The Independent, 1 Dec. 1998, p.15)
Newspaper Chattering, but No Action "But surely it is time to examine racism in the newspaper business. These smooth-talking members of the chattering classes must prove that they are as liberal as they claim."(Donu Kogbara, free lance writer , "I'm Quitting Because of Racism", in Race in the Media, The Independent, 1 Dec. 1998, p.15).
The (few) Numbers Game (Trevor Phillips, "Are there Colour Bars in a Digital Universe?", Fleming Lecture 1998, Royal Television Society).
No Black Presence if you take away the cleaners "Take away the cleaning and catering staff and the executive floors of the BBC, ITV, BskyB and Channel 5 are a virtual exclusion zone for non-whites."(From Broadcast, the weekly newspaper of the television and radio industry. June 12, 1998).
Minorities have problem reaching top "A BBC spokesperson said a recent racial equality audit showed that the corporation had achieved a reasonable level of balance in low to medium-grade jobs, but .... It will be a short time before a significant number of ethnic minorities reaches middle to top management."(Ashley Davies, in "Phillips bemoans lack of colour in television," Broadcast. June 12, 1998).
Delivering Diversity through Monitoring "Under the CRE Codes of Practice for employers backed by parliament in 1984 all employers are expected to seek to deliver race equality outcomes in their employment practices.(Chris Myant, Head, Press Office, Commission for Racial Equality).
Yes, but "They keep on moving the goalposts" Many of the statistics used by Jim Pines in the study were taken from BBC annual reports and the ITC's annual performance reviews. But the study was hampered by annual reports moving the goalposts: the 1996-7 BBC report gave a breakdown of the London-based directorates' ethnic minority staffing levels, while this year it provides just two London figures. The BBC say this is because the continual restructuring has made it impossible to provide anything else. In the ITC's 1995 ITV performance review it did not disclose the number of ethnic minorities employed in programme making or management roles; in 1996 it did disclose them but then in 1997 the programme-making category was inexplicably dropped. Following pressure from BECTU, the ITC has agreed to reinstate this category provided there are not too many other requests for information. However, while the ITC publishes some ethnic minority employment statistics, it refuses to divulge its own figures. To reflect the standards they set others, the ITC should divulge its own figures so that the industry can see whether it really is 'whiter than white'. (Excerpt from "Ethnic minority employment in broadcasting: A national disgrace," in Stage, Screen and Radio, the journal of BECTU, the broadcasting, entertainment, cinematographic and theatre union 6 October 1998).
2. Facts and issues on minority employment in broadcasting The Chronicle's report What Colour is the News? called for "vigorous leadership to achieve diversity goals". Here are some relevant issues established by new facts. The BBC and minority employment First, here are some figures showing the present situation and proposed figures for minority employment in the BBC and independent television companies. Proportion of Ethnic Minorities employed at the BBC: Current situation and targets.
(2) Excludes language producers and locally recruited staff. (3) Broadcast regions and Resources regions. Source: More colour in the Media (BBC Annual Report and Accounts, 1997-98). See "Ethnic minority employment in broadcasting: A national disgrace. Stage, Screen and Radio, October 1998. Minority Employment in the Independent Companies Employment of Ethnic Minorities at Commercial Television stations in the UK Source: ITC Ethnic Minorities Employment and Equal Opportunities Broadcasting Act 1990 reported in The European Institute for the Media Franchise.
Now, what's the meaning and implications of these targets? But what targets? The UK study questions those set by the BBC because, taken together, they will never achieve 8% ethnic minority employees nationally: while they reduce targets down to as little as 2% in geographical areas with few ethnic minorities, they do not correspondingly raise targets high enough in places such as London which have larger black populations. (See table below) Nearly 30% of inner London and 23 per cent of Greater London people are ethnic minorities, but one London directorate has a target of 7% and most have an 8% target. Similarly, though Channel 4's staffing levels (9.5%) look good compared with the national ethnic minority population level, they look woefully inadequate given that the company is based in central London. All the broadcasters are significant employers in their local areas. Adopting 8% as a target for ethnic minorities when double or triple that number are in the catchment area is effectively a form of discrimination in itself. The study argues that while the national figure should be a minimum aim, local populations should be factored into future targets. London-based broadcasters compared with local population
This conclusion, that national targets should be seen as the minimum, but local targets are the ideal, must be accepted as a basic principle for increasing black and ethnic minority representation in radio and television broadcasting.
The Commission for Racial Equality has clearly indicated in a press office statement what the implications are of this principle.
(Communication from the Press Office, Commission for Racial Equality)
The implications of this analysis by Jim Pines and the CRE are quite clear. Broadcasting organisations, particularly the BBC, are major local employers per se. Media managers and the license-holding public should expect higher levels of minority employment than presently exists.
Black talent
To this date, however, the BBC has not published their findings and proposals for implementation of the results.
3. Positive actions by concerned media professionals Apart from goodwill, targeted training programs are needed. Claudine Booth, executive director Black Media Institute, is devoting her attention to training black journalists and providing recruitment advice, media consultancy and programming services. Born in Jamaica, Claudine Booth has been involved in Journalism since she was 17 years old. Her first job was on the Daily Gleaner. She went to university and in 1979 set up a radio station in Grenada. She came to Britain and went to film school and became the first black graduate film director in the UK. She was employed by a section of Channel 4 called Diverse Productions and later set up her own independent production company. She found that being an independent was very hard. Whilst working at the BBC she saw that there were hardly any black people working there and the situation in radio was even worse. The lack of black executives in UK TV or radio continues, and she says the Black Media Institute will help change the situation. (Interview, Sept. 7, 1998).
IMRAX: Diversity on line. Our attention has been drawn to a proposed website to be run by the International Media Working Group Against Racism (IMRAX), and supported by the Black Members Council of the National Union of Journalists, and the International Federation of Journalists.
Lionel Morrison, veteran journalist and one of the proposers, says IMRAX is a "response to the problem of how stories about race and minorities get reported". It aims to provide fair and accurate coverage of stories to do with ethnicity, racism, tolerance, minority rights and refugee and asylum matters. It aims to meet the needs of the profession and to "foster a free independent and diverse media throughout Europe. IMRAX will, says Morrison, serve journalists with background information, sources and address lists, relevant legislation, legal reports and archives of related stories. Contact: Chair, Black Members Council, National Union of Journalists, Acorn House, 314-320 Gray's Inn Road, London WC1X 8DP, Tel: 0171-278-7916; Fax: 0171-837-8143. E-mail: acorn.house@nuj.org.uk
George Viner Fund: Financing Black Journalism Education in the UK Dr. Beulah Ainley and associates in the Black Members Council of the National Union of Journalists have been at the forefront of minority journalism education. They are keen supporters of the NUJ George Viner Memorial fund established in 1987 to meet the needs of enrolled journalism students on industry-recognised, pre-entry courses. Up to three awards of £1000 each are made annually and to date more than 100 students have been assisted. Contact: Administrator, George Viner Fund, National Union of Journalists, Acorn House, 314-320 Gray's Inn Road, London WC1X 8DP. Tel: 0171-278-7916; Fax: 0171-837-8143. E-mail: acorn.house@nuj.org.uk
More Colour in the Media The study More Colour in the Media by the European Institute for the Media has shed light on ethnic minority access to jobs in the European broadcasting industry. The comparative study, funded by the European Commission program LEONARDO, explores the state and conditions of access to jobs and career progress within minority populations in Germany, Finland, France, Great Britain and the Netherlands. The EIM concludes:
(Communication from the European Institute for the Media).
The Costs of Discrimination
(Trevor Phillips, "Are there Colour Bars in a Digital Universe?", Fleming Lecture 1998, Royal Television Society). Back to the Archive | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||